Review Canon PowerShot SX130

Smart, sleek and creative, the PowerShot SX130 IS is the perfect companion to all your good times. Now you can capture every detail of special moments in crisp, stunning 720p HD--even while using the high-powered 12x wide-angle optical zoom. You'll record in stereo sound, then play back your videos instantly on you computer. The SX130 IS is all about creativity, with fun new scene modes like Miniature Effect for Movies, and Fisheye Effect for artistically distorted stills.

While you're having fun creating, the camera's Smart Flash Exposure and advanced Smart AUTO systems are ensuring that every image is the best it can be. Add the DIGIC 4 Image Processor, 12.1 megapixels and Canon's Optical Image Stabilizer, and you've got the ideal camera for making the good times last.

Shoot 720p HD video with stereo sound while using the optical zoom
The PowerShot SX130 IS is the perfect combination of still camera and extraordinary video maker. Videos are recorded in spectacularly detailed 720p HD with clear stereo sound. Better yet, you can now zoom in and out as your creativity demands, without losing a bit of the 720p HD resolution. Given the SX130 IS's powerful 12x wide-angle optical zoom, this capability is especially meaningful.

12x wide-angle optical zoom with Optical Image Stabilizer
With precision engineering and decades of leadership in optics technology, Canon has created a bright, wide-angle lens that magnifies to an astonishing 12x. Moreover, it's sized to fit the SX130 IS's compact profile, performs at high speed, and keeps power consumption low. Whether you're at a sporting event, school play, or just out and about shooting, you'll love how the SX130's powerful wide-angle 12x optical zoom gets you up close fast and puts more image into every frame. And Canon's Optical Image Stabilizer controls camera shake to ensure that throughout the zoom range, your images are steady and crystal clear.

Scene modes like Miniature Effect for Movie and Fisheye Effect offers creative options for videos and images
Explore your creativity! The PowerShot SX130 IS gives you fun, easy ways to play with perspective in your still images and videos, too.
 

Miniature Effect for Movies (also available for still images) enhances perspective to give whatever you're shooting the fascinating look of a scene shot with miniature models. At the same time, selective frames are removed to enhance the effect when you play the scene back at 30 fps.

"Fisheye" lenses are favorites of professional photographers: their quirky, convex perspective gives a fun creative punch to shots of kids, pets and more. The SX130 IS creates a Fisheye Effect without the need to attach a special lens--simply activate the mode, choose from three levels (low, medium and high) and shoot!

Smart Flash Exposure determines the correct flash based on the shooting situation
Smart Flash Exposure is a technology that uses the proper flash by analyzing a wide range of lighting conditions, and helps ensure against over or underexposed images. The detail and color of your photo remain intact and truer to life even in challenging lighting.

Advanced Smart AUTO selects from 28 predefined shooting situations
Just set the Canon PowerShot SX130 IS to Smart AUTO and you're ready for maximum enjoyment from your picture taking every time. It's a relaxing and satisfying way to shoot because you can completely concentrate on your subject, knowing that the camera has the technical details covered. Advanced Canon technology intelligently analyzes your situation and shooting conditions. Then it automatically selects an appropriate setting from 28 specially defined settings. So whether you're photographing flowers, a captivating sunset, or your friends at the park, you can be confident that you're getting dramatic, memorable images.

With 22 Shooting Modes including 12 Special Scene Modes, you're ready for whatever shot comes your way.
 

 Powerful DIGIC 4 Image Processor with 12.1 megapixels

Capture amazing detail with 12.1-megapixel resolution

The PowerShot SX130 IS is equipped with many of the same features as a higher-end camera: an ultra-powerful zoom, eye-popping resolution and advanced picture-improving technology. 12.1 Megapixels of resolution gives your photography incomparable depth and ensures that any section of any shot can be enlarged and cropped with no loss in quality when you edit the image even if you choose to print the image. It can create crisp, clear 13 x 19-inch posters.

Canon's proprietary DIGIC Image Processors have long set its cameras apart from the competition, and the new DIGIC 4 sets the bar even higher. Faster, more accurate noise reduction delivers better image quality, even at high ISO speeds.

Large 3.0-inch LCD with wide viewing angle

The camera's high resolution (230,000 dots) 3.0-inch LCD gives you the big picture, whether you're shooting, reviewing or showing off your images. This high-resolution screen offers a crisp, clear picture to make shooting, playback and using the camera's menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.

AA battery power enables you to easily power up
Conveniently, you don't need to worry about running out of batteries or having to recharge them. Since AA-size batteries can be purchased at any store, simply get new ones locally--wherever you go, no special power adapters or chargers are needed.

What's in the Box

1. PowerShot SX130 IS Camera body
2. AA-size Alkaline Battery (x2)
3. Wrist Strap WS-800
4. AV Cable AVC-DC400ST
5. USB Interface Cable IFC-400PCU
6. Digital Camera Solution CD-ROM

 

            

GE 16MP Digital Camera Review

Product Description
If you want it all, you'll want one of the GE Pro series of bridge cameras. The new X500 is as powerful as it is easy to use. All the latest digital camera technology is seamlessly built in to reflect your own powerful sense of style and capture those priceless memories that define our lives. Get closer to the action and take photos like a pro with the X500 from GE's Pro line of digital cameras.

16 Megapixels with 15x Optical Zoom

The X500's 16 MP lens means your images will be alive with detail, capturing every nuance. A 15x optical zoom (combined with a 6x digital zoom) lets you get close to the action without needing to get right in the middle of it. A vivid 2.7-inch LCD screen with Auto Adjust Brightness lets you frame every shot with ease, letting you see exactly what you're getting with each click.

Electronic View Finder

In addition to the 2.7-inch LCD screen, the X500 has an electronic view finder for more accurate shots in real time and better scene composition.

 
Shoot Video with Ease Capture all of your videos with ease. The X500 takes MPEG-4 videos in .MOV format with G.711 monaural audio for simple, one-touch recording of those special moments. And they're easy to share using a USB connection or SD card reader.

High Dynamic Range (HDR) Adjustment
An in-camera HDR feature adjusts exposure for more detail in light and dark scenes. Get the right balance of detail no matter the lighting conditions. A 3200 ISO improves pictures in low lighting condition for optimal exposure.

Optical Image Stabilization with Auto Scene Correct unintentional camera movements with automatic image stabilization, giving you crisp, clear photos. The Auto Scene feature automatically selects and sets the correct scene type for the sharpest, most vibrant pictures possible.

Face Auto Exposure and Smile Detection
Face Auto Exposure enhances facial features detected by the camera for true subject highlighting, making your friends and family jump out of your photos. Smile Detection lets you capture the right moment by allowing the shutter to automatically release when the subject’s smile appears.

Automatic Brightness Adjustment
An in-camera auto-brightness feature adjusts the camera's LCD viewing screen for more detail in light and dark scenes. Get the right balance of detail no matter the lighting conditions.

AA Batteries
Convenient, easy and no-hassle AA batteries keep you on the go. Get 300 shots from regular AA alkaline batteries, or up to 500 shots from AA NiMH batteries.

What's in the Box GE X500 digital camera, 4xAA alkaline batteries, USB cable, shoulder strap, CD-ROM, manual, Quick Start Guide, Feature Guides, warranty card.

Technical Specifications

• Effective Image Sensor Pixels: 16 Megapixel
• Anti-Shake: Optical Image Stabilization
• Zoom: 15x Optical, 6x Digital
• ISO Sensitivity: Auto, ISO 80 / 100 / 200 / 400 / 800 / 1600/ 3200
• Recording: 640×480 pixels: 30 fps / 15 fps, 320×240 pixels: 30 fps / 15 fps
• Still Image: 16MP: 4608×3456, (16:9) 12MP: 4640×2608, 8MP: 3264×2448, 5MP: 2592×1944, 3MP: 2048×1536, 0.3MP: 640×480
• Image Compression: Best, Fine, Normal
• Movie Format: MPEG-4 AVC/H.264(MOV)
• Audio Format: G.711 Monaural
• Still Image Format: Exif 2.2 (JPEG)
• Detection Features: Face Detection, Smile Detection, Blink Detection
• High Dynamic Range: Yes
• Internal Flash: Auto, Red-Eye Reduction, Forced Flash, No Flash, Slow Synchro, Red-Eye Reduction + Slow Synchro
• Battery: AA alkaline or NiMH
• Dimensions (W x H x D): 4.06" × 2.92" × 2.68"
• Weight: 12.3oz 

 Product Description GE X500 Power Pro Series Bridge Camera with Electronic View Finder, Optical Image Stabilization, 16MP, 15X Optical Zoom, 2.7"LCD, 27mm Wide Angle Lens and advanced features including Shutter & Aperture Priority mode, Program mode, ASCN, Pan-Capture Panorama, Smile & Blink Detection, Face Detection, Face Auto Exposure, Red-Eye Removal, High Dynamic Range. Power by AA Battery.

Nikon Coolpix P510 Review

Nikon recently introduced two updated cameras that replace (respectively) the Coolpix P300 and the Coolpix P500. These two new ultrazooms (P310 & P510), although they show no resemblance whatsoever to each other, are remarkably similar. Both cameras share identical GPS systems, EXPEED C2 image processing engines, COOLPIX Picture Control functions, 1080p HD video recording with stereo audio and the ability to utilize zoom during video capture, identical 16 megapixel backlit CMOS sensors, the same lens-shift vibration reduction (VR) system which provides camera shake compensation equivalent to a four-step increase in shutter speed and identical 3.0 inch 921k-dot flip-out LCD monitors.

As a veteran photographer I would love to carry both cameras simultaneously, since together they would be able to adequately cover essentially every photographic genre except studio photography - and both could be adapted to studio shooting. The pocketable and unobtrusive little P310, with its super fast f/1.8 zoom, would work beautifully for street shooting, available light photography, environmental portraits, documentary photography, and classic travel photography. The P510, with its monster zoom, could easily handle landscape/scenic photography, wildlife photography, event photography (festivals, concerts, family gatherings), and sports/action photography. Since the two cameras utilize the same sensor, processor, and imaging software and share identical 921k LCDs ?€? composition/framing, shooting modes, basic controls, menu layout, color interpolation, resolution, white balance, contrast, and noise levels would be essentially identical.The most significant differences between the two cameras are in their physical sizes and their zoom lenses. The P310 is a pocketable little camera with a superfast f/1.8-4.9, 24-100mm (35mm equivalent) zoom (currently the fastest maximum aperture available on any P&S digicam), while the P510 is a compact DSLR-sized digicam with an f/3.0-5.9 24-1000mm (35mm equivalent) zoom - currently the longest focal length zoom ratio available on any point-and-shoot digital camera. Either camera would function nicely as an excellent general-use camera.

Unfortunately, I usually only get one camera at a time to test, so from this point on we'll focus (no pun intended) on the Coolpix P510. I can't comment on the ergonomics of the P310, but the P510 was clearly designed for photography enthusiasts by photography enthusiasts. Camera makers have been trying since 1839 to develop a single all-in-one camera that will satisfy the needs of every single photographer. In my opinion, the Coolpix P510 comes remarkably comes to filling that order. I've only had the P510 for a bit more than a week, but so far I'm quite impressed with just how easy this camera makes it to capture the images you?€™ve visualized before you press the shutter button - and with more than forty years experience as a photographer (and demanding camera user) I am not easily impressed.

For example, most point-and-shoots permit only limited user input into the exposure 

process. Enter COOLPIX Picture Control, a comprehensive new feature available only on the P310 and P510 used to adjust color saturation and sharpening applied to images prior to shooting based on the type of subject or scene, shooting conditions, or the creative intent of the shooter. CPC can be used in all exposure modes, including full manual, and provides four preset Picture Controls and six options for additional fine tuning. Shooters can save two frequently used settings as custom CPC scenarios.

            

The P510 is a rather chunky and somewhat plain looking point-and-shoot, more practical than stylish in its design. Its user interface is uncomplicated and dependably logical and the control layout is traditional and basic - sufficiently similar to every other Nikon P&S digicam ever manufactured to provide anyone who has ever used a Coolpix with a comforting sense of deja vu. Buttons are logically placed and come easily to hand for right-handed shooters, but they are all rather small, in fact the on/off button is very small (and a bit too flush with the top deck) so it often necessitates a couple of pushes to turn the camera on or off. The mode dial and shutter button are larger and both provide excellent tactile response.

There really is no free lunch, so photographers who purchase the P510 will need to have realistic expectations. Any camera with a 42x zoom is bound to be the result of innumerable engineering, optical, and operational compromises and every one of those compromises is going to affect image quality, however the P510 does a remarkably good job of making those compromises palatable. Some of my early handheld test shots at maximum telephoto are impressively sharp.

I'll go into more detail regarding image quality and usability in my full review of the P510, but based on the sample photos included with this brief first impressions review and my experiences with the camera over the past week (I've shot well over 100 images to date) I'm favorably impressed with the Nikon Coolpix P510 so far.

Penta K-01 Digital Camera Review

The Pentax K-01 (from $749) is a mirrorless interchangeable lens camera with a most unusual design. Created by Australian designer Marc Newson of (who, admittedly, I'd never heard of before the K-01), the modern look of the K-01 will certainly turn heads (especially if you get the yellow one). Aside from its unique looks, the K-01 is also a fully-featured camera. It has a 16 Megapixel CMOS sensor, K-mount lens support with built-in (sensor-based) image stabilization, lots of manual controls, a boatload of scene modes and special effects, an HDR function, and 1080p video recording.
What's in the Box?

The K-01 is available in three kits in three colors (black, white, yellow). You can go body only for $749, add a 40mm pancake lens (pictured in this review) for $899, or get a dual lens kit with more traditional-looking 18 - 55 and 50 - 200 mm zooms for $999. Here's what you'll find in the box for each of those:

• The 16.3 effective Megapixel Pentax K-01 camera body
• F2.8, 40mm Pentax DA XS lens [40mm lens kit only]
• F3.5-5.6, 18 - 55 mm Pentax DA lens [dual lens kit only]
• F4.0-5.6, 50 - 200 mm Pentax DA lens [dual lens kit only]
• D-LI90 lithium-ion battery
• Battery charger
• Body cap
• Shoulder strap
• USB cable
• CD-ROM featuring SilkyPix Developer Studio 3.0
• Fold-out Quick Start Guide + 265 page Operating Manual (printed)

Review Sony Cyber-Shot DSC-HX100V

 

The Sony Cyber-shot HX100V is a 16.2 Megapixel super-zoom camera with a 30x stabilized lens and a flip-up 3 inch LCD screen. Released concurrently with the Cyber-shot HX9V pocket super-zoom in February 2011, the HX100V shares the same Exmor-R back-illuminated CMOS sensor in a larger SLR-styled body with a much longer zoom range.

With a sensor in common, the HX100V shares many of the HX9V’s features, including 1080p50/60 HD video, 10fps burst shooting, 3D and sweep panorama modes, along with a built-in GPS receiver. The Cyber-shot HX100V also includes the composite Hand-held Twilight and Anti Motion Blur modes in addition to new Backlight Correction HDR and Background Defocus modes. The Cyber-shot HX100V is Sony’s first DSLR-styled super-zoom model since the Cyber-shot HX1 back in 2009. Since then Canon and Panasonic have established a strong position in this market with the PowerShot SX30 IS, and the Lumix FZ100 and FZ45 / 40 (not to mention the latest FZ47 / FZ48). Does the Cyber-shot HX100V have what it takes to re-establish Sony in the Super-zoom market, or has two years out of the game given the competition too much of a lead for Sony to regain? Let’s find out in our full review of the Sony Cyber-shot HX100V

Review Digital Camera Nikon D800

  Nikon D800 and D800E cameras running firmware v1.00

When the Nikon D800 and D800E were announced, the specification that got everyone's attention was - and to a large degree still is - the massive pixel count of their 36.3MP CMOS sensor. When a moderately-sized full-frame DSLR body aspires to go toe-to-toe with medium format cameras and backs at a fraction of their price, other attributes can seem secondary. But don't be misled. Coming as a successor to the now 3 1/2 year old D700, Nikon has updated much more than just the resolution. The D800 has a significantly more advanced feature set than its predecessor, particularly in terms of its video capabilities that make it, on paper at least, a viable and tempting option for professionals.

At the heart of the D800 is a brand new Nikon-developed sensor that boasts 36.8 million pixels in total, with a maximum effective output of 36.3MP. Its ISO span is 100-6400 natively, expandable to a range of 50 ('Lo1') to 25,600 ('Hi2') equivalent. Nikon's highest resolution DSLR to date, the D800/E more than doubles the pixel count of the flagship D4. The D800 is potentially very attractive to studio and landscape professionals, but should pique the interest of a great many enthusiast Nikon users too - many of whom may have been 'stuck' at 12MP for years, with a D300, D300s or D700.

 

The D800 and D800E's 36.3MP CMOS sensor has by far the greatest pixel count of any non medium-format DSLR currently on the market. The ISO span is slightly wider than that of its predecessor the D700, at 100-6400, expandable down to ISO 50 and up to ISO 25,600 (equivalent).

Of course, the D800 faces a competitive field that has made significant gains as well. Arch-rival Canon has recently updated its best-selling full-frame model to the 22.3MP EOS 5D Mark III. That the D800 has to prove itself a compelling upgrade for current Nikon shooters is a given. Yet a glance at the specifications indicates that Nikon has clearly been paying attention to the success of the Canon EOS 5D Mark II, and its video performance in particular. The hope among the Nikon faithful is that the D800 matches or exceeds the impressive high ISO performance of recent Nikon DSLRs while providing the resolution benefits of a much higher pixel count.

Apart from their sensors, the D800 and D4 share many identical specifications. Although the D800 offers a much slower maximum frame rate at full resolution (4fps, compared to 11fps in the D4) and lacks some of the pro-oriented 'frills' like built-in Ethernet connectivity, it shares the same revamped 51-point AF system which is effective down to -2EV, the same processing engine and almost exactly the same highly advanced video mode.
Broad appeal

Whereas the D4 is intended as a specialist tool for professionals that need to capture images quickly in all types of weather and light conditions, the D800 has been designed to appeal to a much broader user base. For most of us, D4-only features such as ultra-high ISO shooting, very fast frame rates, QXD card compatibility, 2000+ image battery life and built-in Ethernet, are simply not that high on the list of must-haves. The same goes for many pros who earn their livings with their camera.

Wedding, event and studio photographers, for example are likely to be far more concerned with resolution at low ISO sensitivities than shooting at 11 fps at ISO 204,000. To them, a camera with the D800's feature set, priced at less than half the cost of a D4 is an exciting prospect indeed.

And let's not forget videographers. The D4 is Nikon's most advanced video-enabled DSLR. And the D800 offers almost exactly the same video specification in a smaller, lighter, and significantly less expensive body, making it potentially much more attractive as either a primary or 'B' video camera on a low-budget shoot.

Canon EOS 5D Digital Camera

  Canon EOS 5D Mark III with firmware v1.1.2

In 1987 Canon unveiled the EOS 650 to the world. It was the Japanese manufacturer's first 35mm autofocus SLR and the start of the EOS system. With its fully-electronic lens mount, in-lens aperture and focus motors, and reliance on electronic button and dial operation, Canon's EOS system established a blueprint that all successive camera systems have followed. Now, 25 years later, the Canon EOS 5D Mark III is the latest model in the line.

Up until now, the 5D series has been a dynasty of slightly unlikely revolutionaries. The original EOS 5D of 2005 was the first 'affordable' full frame SLR, and the camera that cemented the 24x36mm sensor as the format of choice for many professional applications at a time when many were questioning its continued relevance. The 5D Mark II was the first SLR capable of recording full HD video, a feature that revolutionized the market in a fashion that no one could possibly have envisaged at the time - least of all Canon. On the face of it, though, the latest model offers little that looks likely to make the same impact.

The 5D Mark III has a 22MP full frame sensor in a body that's based on the EOS 7D design, and with a 61-point AF system borrowed from the flagship EOS-1D X. From the glass-half-empty point of view, this could be seen as an unambitious update that trails disappointingly behind Nikon's 36MP D800 which was announced around the same time. But for those whose glasses tend more towards the half-full, it might just turn out to be the camera that 5D Mark II owners always really wanted.

Indeed the 5D name itself is almost misleading; compared to its predecessor the Mark III is essentially a completely new model, with every major system upgraded and updated. In a way it's better seen as a full-frame 7D, with that camera's control layout, extensive customizability and 63-zone metering sensor. But it also gains a raft of additional tweaks and improvements in response to customer feedback; these range from dual slots for CF and SD cards, through a locking exposure mode dial, to a large depth of field preview button that's repositioned for right-handed operation, and can be reprogrammed to access a number of other functions.

Read on to find out out how the 5D Mark III performs in our studio and real-life tests, how we liked its handling and operation and if it is the right camera for your requirements and type of photography.

Canon EOS 5D Mark III key specifications

1. 22MP full frame CMOS sensor
2. ISO 100-25600 standard, 50-102,800 expanded
3. 6 fps continuous shooting
4. Shutter rated to 150,000 frames
5. 1080p30 video recording, stereo sound via external mic
6. 61 point AF system
7. 63 zone iFCL metering system
8. 100% viewfinder coverage
9. 1040k dot 3:2 LCD
10. Dual card slots for CF and SD

Digital Camera Canon EOS 1100D

Review based on a production Canon EOS 1100D with Firmware V1.0.4

The bottom-end of the interchangeable lens camera has become fiercely competitive with manufacturers culling features and cutting-corners to offer a tempting upgrade path from compact cameras, at the most attractive price. As a result we've seen control dials, orientation sensors and even focus motors disappear to reduce the manufacturing costs of these entry-level, gateway cameras. From the consumer's perspective, of course, we've also seen technologies once only in the reach of the professionals filter down to almost compact camera prices.

For several years, Canon and then Nikon were able to carve up the sub-$1000 DSLR market between themselves, without any particular concern about other players in the market. But this hegemony was never likely to last, especially once the electronics giants such as Panasonic, Sony and Samsung had time to prepare their own competitors. Eventually even Canon had to respond to the arrival of these companies' increasingly impressive low-end offerings, most notably with the splitting of its Rebel series into a multiple model range.

In June 2008, rather than just letting the outgoing model's price drop when the next camera was introduced, Canon launched a completely new model that sat below its then very recent Rebel XSi/450D. The Rebel XS (EOS 1000D in Europe) was unashamedly a cut-down version of the XSi but its mixture of a well trusted sensor and compelling price tag have seen it continue to sell strongly, particularly at the price-conscious end of the market.

Two-and-a-half years is nearly two lifetimes in contemporary camera terms, so it was beginning to look like the XS might turn out to be a one-off, until the launch of its replacement in February 2011. The Rebel T3 (EOS 1100D) builds on a successful formula and takes it further, offering a strong (if not exactly cutting-edge) set of features in a body that suggests it should be very capable of competing on price.

The 1100D takes a series of familiar-sounding components and folds them together in a distinctly conventional but still capable-sounding package. So there's a 12MP CMOS chip that is likely to date back to the 450D/XSi, coupled with Canon's now-standard 9-point AF system and the 63-area iFCL (Focus, color and luminance sensitive) metering system first seen in the EOS 7D. These combine with the equally well-known Digic 4 processor to offer a camera that's unlikely to offer much in the way of surprises (which should also mean the avoidance of any nasty ones).

Sitting alongside the Rebel XS (1000D), it's clear that T3 (1100D) is very slightly larger but only by a fraction. The new model eschews the 1000D's textured plastic, instead being constructed of smooth, rather low-density materials.

The rear view shows the 1100D has been updated in line with more recent Canon DSLRs, gaining direct access to live view/movie shooting and a Q button for the interactive 'Quick Control' displays.

Canon EOS 1100D specification highlights:

• 12MP CMOS sensor
• 9-point AF system (up from 7 on the 1000D)
• 63-area iFCL color-sensitive metering (from EOS 7D)
• 720p movie recording at 30 or 25fps (H.264 compression)
• 2.7" LCD, 230,000 dots
• ISO 100-6400 (no expansion)
• Basic+ creative point-and-shoot mode
• Eye-Fi wireless SD card compatible menu options

Digital Camera Nikon D800 36.3 MP CMOS

 

Nikon D800 36.3 MP CMOS FX-Format Digital SLR Camera (Body Only)
From Nikon
List Price: $2,999.95
Price: $2,999.00 & eligible for FREE Super Saver Shipping on orders over $25. Details

 Product Description

Hold in your hands an HD-DSLR able to capture images rivaled only by that produced by a medium-format camera: extremely low noise, incredible dynamic range, the most faithful colors, the broadest tonal range. Meet the Nikon D800, a 36.3 megapixel FX-format D-SLR for professional photographers who require end results of the highest quality; who demand superior performance, speed, handling and a fully integrated imaging system. For multimedia professionals, 36.3MP means true 1080p HD cinematic quality video. The essential tool for today’s still and video professional, every photo will astound, every video will dazzle.

Product Details
Amazon Sales Rank: #39 in Camera & Photo
Color: Black
Brand: Nikon
Model: 25480
Released on: 2012-03-20
Dimensions: 48.43" h x 32.28" w x 57.48" l, 6.45 pounds
Display size: 3.2
Features
Extreme resolution 36.3-megapixel FX-format (35.9 x 24.0mm) CMOS sensor
Full 1080p HD broadcast quality video and minimized rolling shutter
View simultaneous Live View output on external monitors and record uncompressed video via HDMI terminal
Multi-Area Full HD D-Movie Video Recording Mode
Comprehensive high fidelity audio recording and playback control